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Participation: 50%-79%
Unique Accidentals: > 4
Unique Notes: 16 - 20
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BSG
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
Violin
1		 Treble 18 0 5 5 100%
Violin
2		 Treble 21 0 9 4 100%
Alto Treble 20 0 8 6 60%
Organ Treble 26 0 9 6 60%
 
J.D. Zelenka: Lamentatio I (complete, from ZWV 53)
BSG
16:22 Est. Play
Time
150 Measures
1,706Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
Violin
1		 Treble 28 0 11 11 75%
Violin
2		 Treble 27 0 11 9 75%
Bass Bass 16 0 5 9 74%
Viola 23 0 7 9 59%
Oboe
1		 Treble 19 0 8 9 31%
Oboe
2		 Treble 19 0 7 8 29%
 
J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714
BSG
1:22 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
 
J. S. Bach: Erbarme dich, mein Gott (Matthäuspassion, BWV 244, #39), with phrasing and proper appoggiature.
BSG
6:14 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
Violas 22 0 8 4 98%
Violins
1		 Treble 19 0 6 7 98%
Violins
2		 Treble 22 0 9 4 98%
Alto Treble 17 0 6 7 75%
 
J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)
BSG
3:22 Est. Play
Time
57 Measures
1,948Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
Oboe Treble 21 0 7 7 96%
Violin Treble 24 0 9 8 93%
Flute Treble 21 0 8 8 91%
Bass Bass 16 0 5 7 60%
Tenor Treble 18 0 6 7 60%
FluteXEC Treble 8 0 4 1 9%
OboXec Treble 5 0 2 1 7%
 
J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)
BSG
4:32 Est. Play
Time
59 Measures
1,535Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
Contrabass Bass 23 0 8 6 100%
Vcl/Cb. Bass 23 0 8 6 100%
Tenor Treble 17 0 7 6 97%
Viola 17 0 7 6 97%
Alto Treble 17 0 7 5 86%
Violin
2		 Treble 17 0 7 5 86%
Ob.
d'Am		 Treble 23 0 9 5 85%
Flute Treble 16 0 6 4 76%
Soprano Treble 16 0 6 4 76%
Violin
1		 Treble 16 0 6 4 76%
Bass Bass 20 0 7 5 75%
Fagotto Bass 20 0 7 5 75%
 
J. S. Bach: Ich elender Mensch (BWV 48, #1)
BSG
6:54 Est. Play
Time
139 Measures
2,205Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 26 0 9 3 100%
Vc/Cb Bass 26 0 9 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 26 0 9 3 100%
Vc/Cb Bass 26 0 9 3 100%
Viola 21 0 8 4 92%
Violin
1		 Treble 27 0 9 4 92%
Violin
2		 Treble 19 0 6 4 92%
Soprano Treble 19 0 6 6 52%
Tenor Treble 20 0 7 5 51%
Alto Treble 19 0 6 6 48%
Bass Bass 18 0 6 6 47%
C
Trumpet		 Treble 9 0 1 5 31%
2
Oboi		 Treble 9 0 2 5 30%
 
J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)
BSG
3:10 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
Oboe Treble 20 0 8 9 74%
Bass Bass 15 0 3 5 67%
Soprano Treble 17 0 6 7 64%
 
J.S. Bach: Ich steh’ mit einem Fuß im Grabe (BWV 156, #2)
BSG
7:28 Est. Play
Time
113 Measures
1,717Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 27 0 10 6 99%
Contrabass Bass 27 0 10 6 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 27 0 10 6 99%
Contrabass Bass 27 0 10 6 99%
Strings Treble 20 0 7 6 97%
Tenor Treble 18 0 5 8 73%
Chorale Soprano Treble 9 0 1 4 32%
 
J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)
BSG
7:36 Est. Play
Time
228 Measures
3,159Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 54 7 4 33%
Bass 26 0 10 7 96%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 54 7 4 33%
Bass 26 0 10 7 96%
Vcl Bass 26 3 10 7 96%
Tenor Treble 18 0 7 5 86%
Viola 18 0 7 5 86%
Alto Treble 18 0 6 6 84%
Violin
2		 Treble 18 0 6 6 84%
Soprano Treble 18 0 7 5 79%
Violin
1		 Treble 18 0 7 6 79%
Bass Bass 17 0 5 6 71%
Tromba
1		 Treble 14 0 2 6 38%
Ped Bass 10 0 2 5 33%
Trombone Bass 10 0 2 5 33%
Tromba
2,3		 Treble 11 20 1 4 22%
Timpani Bass 2 0 0 3 21%
Oboe Treble 13 16 3 5 20%
 
J. S. Bach: Ist Gott versöhnt (BWV 122 #4)
BSG
4:00 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
Realization Treble 22 39 7 6 98%
Tenor Treble 15 0 3 5 77%
Soprano Treble 18 0 6 6 76%
Alto Treble 12 0 3 5 55%
Viola 11 0 3 4 42%